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Ain't is a colloquialism and a contraction originally used for "am not", but also used for "is not", "are not", "has not", or "have not" in the common vernacular. In some dialects it is also used as a contraction of "do not", "does not", and "did not" (e.g. I ain't know that). The word is a perennial issue in English usage. It is a word that is widely used by many people, but its use is commonly considered to be improper.
Ain't was preceded by an't, which had been common for about a century previously. An't appears first in print in the work of English Restoration playwrights: it is seen first in 1695, when William Congreve wrote I can hear you farther off, I an't deaf, suggesting that the form was in the beginning a contraction of "am not". But as early as 1696 Sir John Vanbrugh uses the form for "are not": These shoes an't ugly, but they don't fit me. At least in some dialects, an't is likely to have been pronounced like ain't, and thus the appearance of ain't is more a clarified spelling than a new verb form. The related word hain't is an archaic and non-standard contraction meaning has not or have not. It can be found in literature, particularly in Mark Twain's stories such as The Adventures of Tom Sawyer. It is reminiscent of hae (have) in Lowland Scots. Another old non-standard form is baint or bain't, apparently a contraction of "be not". This word is found in eye dialect forms written by a number of older writers, including J. Sheridan Le Fanu's Uncle Silas.
None of those words are to be confused with the term haint, which is a slang term for a ghost, famously used in the novel To Kill a Mockingbird.
Amn't is a contraction of "am not" occurring in some dialects of mainly Scottish English and Hiberno-English. The contraction is formed in the same way as aren't from "are not" and isn't from "is not": the negative particle not reduces to n't, a clitic or suffix which fuses to the preceding verb form am. It has been suggested that the reason why "amn't" is not as widespread as other contractions is that English tends to dislike the nasal consonants /m/ and /n/ together. In Scottish English, amn't is generally used only when inverted as a question (i.e. "amn't I?"), often a tag question; in statements, the form amnae is used instead. In Hiberno-English amn't is also used in statements ("I amn't") and sometimes as a double negative ("amn't I not?").
The Standard English form "I'm not" is available as an alternative to "I amn't" in Scottish English and Hiberno-English. There is no undisputed standard equivalent of "amn't I": "am I not", "aren't I", and "ain't I" may respectively be considered stilted, affected, and substandard.
In Oliver St. John Gogarty's impious poem, The Ballad of Japing Jesus, Jesus says:
In James Joyce's Ulysses, Gogarty's alter ego Buck Mulligan quotes the lines in Chapter One. In Chapter 15, the prostitute Cissy Caffrey says to Leopold Bloom, "Amn't I with you? Amn't I your girl?"
The Scottish post-rock band Mogwai have a song called "Moses? I Amn't" on their 2003 album Happy Songs for Happy People.
Critics of the contraction ain't may say frequent use of it is incorrect. The same applies for using i'n'it (normally written as innit) instead of "isn't it". There is little justification for this judgment on etymological or grammatical grounds, but it remains a widespread belief that the word is "not a word" or "incorrect". However, a descriptive analysis of frequency statistics does make it perfectly justifiable to regard it as a colloquialism seldom found in formal writing, though its frequent usage in popular song lyrics is one argument for more general acceptance in writing.
During the nineteenth century, with the rise of prescriptivist usage writers, ain't fell under attack. The attack came on two fronts: usage writers did not know or pretended not to know what ain't was a contraction of, and its use was condemned as a vulgarism — a part of speech used by the lower classes. Perhaps partly as a reaction to this trend, the number of situations in which ain't was used began to expand; some speakers began to use ain't in place of is not, have not, and has not. A popular term in East End of London, Charles Dickens used ain't for Cockney slang in many of his works, such as his 1838 novel Oliver Twist: "...see what a pride they take in their profession, my dear. Ain't it beautiful?"
Ain't would solve one logical problem of English grammar; it would serve as a useful contracted inverted form in the question "Ain't I?" Many prescriptivists prefer "Aren't I?" in this situation, and for speakers of non-rhotic accents this may only be a baroque spelling of one possible pronunciation of the eighteenth century an't. Ain't is also obligatory in some fixed phrases, such as "you ain't seen nothing yet". Under grammatical analysis of some dialects of nonstandard English, such as African-American vernacular English (AAVE), use of ain't is in fact required in some conditions. In AAVE, ain't is used as a substitute for hasn't in certain past tenses. Thus, one would say "she ain't called me" for "she hasn't called me".
Ain't is also found to be a stereotyped word for most peoples from the southeastern and rural parts of the United States, and is commonly used in most casual conversational settings (see also Y'all). Modern usage notes in dictionaries note that ain't is used in a self-conscious way by some speakers and writers for a deliberate effect: what Oxford American Dictionary describes as "tongue-in-cheek" or "reverse snobbery", and what Merriam-Webster Collegiate calls "emphatic effect" or "a consistently informal style". An example of this effect would be "Ain't ain't a word so I ain't gonna say it".
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